Interview with Antonio Valenzuela

We meet Antonio Valenzuela, a Cordoban illustrator specialising in creating vibrant and realistic illustrations of everyday objects worn down by time. He has worked in the fashion industry for international brands and now, from Málaga, he merges art and design in exclusive projects. His Destructive Beauty collection particularly stands out, as he reinterprets beauty in the everyday.

Your work is known for realistic illustrations of everyday objects deteriorated by time. Why do you focus on these themes?

I chose this theme because I find it original to depict beauty through elements that are often contradictory. I am interested in capturing the effects of time and the transformation of objects, giving them a new identity.

Every worn texture of an object holds a story that deserves to be told. Sometimes, what is obvious can take away depth from art.

I believe an artist must go beyond the obvious, surprise the viewer, and spark curiosity.

My intention is that those who observe my work do not simply see a deteriorated object but instead discover the beauty of imperfection, reflect on the passage of time, and connect with the everyday.

What does wear and tear represent to you?

Wear and tear is more than just the physical deterioration of objects; it symbolises the transformation of beauty and the passage of time.

In a world obsessed with perfection and novelty, I am drawn to highlighting the value of things that, despite the years, retain their essence.

This perspective also influences how we perceive our own beauty, as if the passing of time were an enemy. However, by observing these objects, I invite the viewer to reflect on their own transformation.

Thus, this concept becomes a mirror of our own story, reminding us that beauty is not eternal but something that reinvents itself over time.

After living in cities such as Barcelona and Madrid, you decided to return to Andalucia. How has Málaga influenced your creativity and the evolution of your technique?

Returning to Andalucia has, in many ways, been a return to my essence, to a pace of life that allows me to connect more deeply with my creative process.

I have found in Málaga a sense of serenity that is fundamental to my work. Working from my studio enables me to organise my time in my own way, dedicating long periods to observation, contemplation, and the necessary pauses for creativity to flow.

Additionally, being close to the sea has had a direct impact on my inspiration.

You have collaborated with numerous fashion brands such as Casablanca Paris, Dolce & Gabbana, Zara, and Homiēs Marbella. What interests you most about working in this sector?

Collaborating with fashion brands has been an experience that has given me great versatility, both in creative terms and in understanding the specific needs of each brand. Each project presents a new challenge and an opportunity to adapt to different aesthetic visions without losing my artistic identity.

However, beyond the ability to adapt, I consider it essential to maintain a personal style. In the fashion world, where trends change rapidly, authenticity is what truly leaves a lasting impact.

For me, it is crucial that each collaboration carries my personal signature, that my work is recognisable and adds something distinctive to the collection or campaign I participate in, creating pieces that are not only aesthetically appealing but also tell a story.

What attracted you to Amàre Beach Hotel Marbella as a space to exhibit your work?

What attracted me to Amàre Beach Hotel Marbella is its deep connection to the Mediterranean, both in its essence and aesthetics. The hotel is not only a luxury space but also offers a relaxed atmosphere that aligns with the philosophy of my work.

I believe the setting, the unique light, and the proximity to the sea create a special visual connection.

Moreover, my bond with Marbella is very personal. I truly appreciate its blend of tradition and modernity. For me, it is a familiar place that has influenced my creative approach.

You are currently exhibiting Destructive Beauty at this hotel. What can the audience expect from this exhibition, and how do you think it will impact those who visit?

I hope the exhibition creates an immersive and hypnotic experience, encouraging reflection on what beauty means to each individual, viewed from a perspective of freedom.

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